Oil paintings by S

white in the middle makes depth for the tree the back

1/6/25 I stayed up all night studying the woods. I've been trying to not only understand how the trees' existence  connects to the ground with the movement of the ground. I wanted to understand how I can make the height of the ground change and be more interesting. 

I wanted to create a new way to paint that involved, not only this, but would create interest, whilst making  a new and unique way to paint.
I would like to connect everything with everything else in a way that creates a web, just like in Mark and The Changer.

I would like to use the anthropological connection of everything to create art. I can  do this by connecting the ground and nature, and everything around it. I started doing this, to an extent, with this piece. You can see how everything, to an extent, is connected in a way.

When I did things here, it was instinct. I finished the old piece, let it dry, and then picked it up again. I already knew  how the colors worked. I ended up connecting everything, even the air, with a thick non-exhistant reality. 

The air became some sort of strange ooze. It shown its reality and connected everything.

I would like to expand on this.

You can see, I just started in on using canvas instead of hardboard. I am done with scraping hard molding paste.

using canvas is not only a shift in painting for me, but also a new way to paint. I need to shrink my works on this larger piece, and even make two pieces on it.

By connecting everything this way, I can show the oneness of everything. This is what I am going for.

2. By overlapping I created thick air, and perfect night